‘Fire Ireland’ | Banshee Press
I have been living alone in Dublin, reading Ulysses and The Black Diaries, researching my family history, programming a queer film festival, and coming to terms with my auntie’s stroke...
My Recent Work
Behind The Times with Sarah Hardacre | the Fourdrinier
A body of new collage work by artist Sarah Hardacre, the result of an 18-month-long collaboration between Sarah and Greg.
Y O U B E L O N G H E R E | Artists Rediscovering Salford's Green Spaces
Drag artist Cheddar Gorgeous uses makeup, costume and performance to create living spectacles and tell stories...
From South Africa to the Slade: repositioning Albert Adams | Art UK
Fastidious, imaginative and technically brilliant, Albert Adams experimented widely with style and scale throughout his career.
Drunk At Vogue: The Last Disco | On Curating
For seven years, my friends and I ran a party named Drunk At Vogue...
Jo Clements at The Whitaker | Islington Mill
When does the brain become the mind? What does learning feel like? Is experience the same as knowledge? What don’t we know about our brains?
Film Reviews | Beta Bandidos: 'Slow West' Reviewed | The Quietus
Visual arts were Scottish director John Maclean’s first love...
The Reveal Meal, or, You are what you eat | Feast Journal
A white cube gallery setting, table and chairs, a curator, artists, a videographer, an academic, and half a dozen people at various stages of their journey with addiction and recovery...
A Mile of Black Paper | Fruit Journal
Reflections on my art installation / project 'A Mile Of Black Paper' for FRUIT Journal
Simon Callow talks about his Lowry show on the life of Jesus | Manchester Evening News
Since his first solo stage outing, Juvenalia, was performed in 1976, it seems Simon Callow has turned the one-man stage show into his forté...